Cities, mobility and urban culture
From 10 September 2026 to 7 March 2027, Maurizio Cattelan exhibits at the Neue Nationalgalerie: historical works and new pieces reshape the relationship with Mies's architecture.
Four under-35 artists are working in Aurisina's marble companies: stone waste will be used to create works destined for the Parco Scultura di Portopiccolo.
From 11 September to 3 October, Palazzo Ca’ Donà, in the sestiere of Santa Croce, hosts the debut of ORBITA, a project by ETEREO bridging contemporary art and collectible design.
Florence Biennale and Anglo American Hotel launch Art Suite: ten photographs by Flóra Borsi in common areas and an artwork reserved for a suite.
On November 20, 2026, the Doha Pavilion opens in MIA Park: a hexagonal building designed by Gerhard Richter with Selldorf Architects, dedicated to the artist's works.
At night, users, rhythms, and needs change: observing a city after sunset is one of the most effective ways to understand whether transport, public spaces, and safety truly work.
Squares, parks, libraries, and benches share a rare characteristic: they allow people to be in the city without having to turn every minute into a transaction.
Walking is not just the simplest way to get around: the quality of pedestrian routes influences health, independence, local retail, and even how we perceive a neighborhood.
The 15-minute city is not a stopwatch applied to neighborhoods: it is a way to measure how much daily life depends on distances, cars, and wasted time.
Urban spontaneity is not a luxury: it depends on nearby amenities, reliable transport, public spaces and neighbourhoods that leave room for the unexpected.